unconsummated

STRETCH (03/30/12)

Sat, 30 Mar 2013 03:07:09 -0400

I painted my nails the color of mica, the shade of gravestones. Eyes turn to sea foam, flesh to wax.

CLAUSTROPHOBIC (12/03/12)

Wed, 05 Dec 2012 02:04:39 -0500

Don’t tell me space
Never tightened around you.

"I have wanted to kill myself a hundred times, but somehow I am still in love with life. This..."

Thu, 01 Nov 2012 11:28:21 -0400

“I have wanted to kill myself a hundred times, but somehow I am still in love with life. This ridiculous weakness is perhaps one of our more stupid melancholy propensities, for is there anything more stupid than to be eager to go on carrying a burden which one would gladly throw away, to loathe one’s very being and yet to hold it fast, to fondle the snake that devours us until it has eaten our hearts away?””

- Voltaire (via mirroir)

According to Hugh Walpole’s note inside the page proofs of the...

Wed, 31 Oct 2012 21:09:45 -0400

According to Hugh Walpole’s note inside the page proofs of the novel, Woolf and Walpole discussed “Reality” over tea at Tavistock Square on 26 February 1932. Woolf later inscribed The Waves for him. In her letter accompanying the proofs, she writes: “Here is the Waves, lacking, I am sorry to say, among other things, a fly leaf. But you won’t mind that, I know, since you have put up with many worse deficiencies on the part of your friend Virginia Woolf.” In his note, Walpole says that these proofs “were the very earliest of this book.”

Photo

Wed, 31 Oct 2012 21:03:53 -0400

Photo

Wed, 31 Oct 2012 21:03:48 -0400

Photo

Wed, 31 Oct 2012 21:01:03 -0400

Paintings by Minh Dam

Wed, 31 Oct 2012 00:52:36 -0400

Paintings by Minh Dam

Photo

Wed, 31 Oct 2012 00:34:36 -0400

Photo

Wed, 31 Oct 2012 00:31:45 -0400

Eyes Wide Open: The 30 Harshest Filmmaker-on-Filmmaker Insults in History

Mon, 29 Oct 2012 02:41:40 -0400

Eyes Wide Open: The 30 Harshest Filmmaker-on-Filmmaker Insults in History:

littlemovienerd:

paul-thomas-kubrick:

1. Francois Truffaut on Michelangelo Antonioni:
“Antonioni is the only important director I have nothing good to say about. He bores me; he’s so solemn and humorless.”

2. Ingmar Bergman on Michelangelo Antonioni:
“Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was…

The last one is pretty great